We discuss Heston's Antony, how little his Cleopatra gets to say, and the perils of rewording Shakespeare's text. And then we speculate about our dream casting for Antony & Cleopatra: who could be the power couple among current actors? Suggestions welcome!
We discuss the classic musical adaptation of Romeo & Juliet, and how the music of Bernstein & the lyrics of Sondheim transform Shakespeare's play and its message.
Aven & Mark introduce John to their favourite tv show about Shakespeare, Slings & Arrows, with Season 1 (2003). They discuss how it casts new light on Hamlet as a play and as a cultural force, its commentary on art and commercialism, Canada/US relations, and our connections to death--all while revelling in its deliciously funny dialogue.
All four co-hosts convene to discuss the classic Zeffirelli version of Romeo & Juliet, with its young co-stars, beautiful architecture, lush scenery and costuming, and evocative score. Jon, Aven, Mark & John elaborate on the cuts to the text, the emphasis on the political threat of the feuding families, the ridiculousness of considering this a love story to be emulated, and the developments in cinematography and editing evident in this iconic movie.
After a longer than usual break, we return with a longer than usual movie--and episode! John Kelly joins Aven and Mark to discuss this lavish, star-studded, and unabridged version of Hamlet. What is gained by filming the entire text? How does it enrich our understanding of Hamlet's character -- and does it make us like him more or less? To learn more about John Kelly and his work, visit mashedradish.com.
Aven & Mark are joined by a guest host, John Kelly, to discuss Orson Welles's adaptation of several plays into the story of Falstaff. A stylish, moving, and fascinating piece of cinema, it gives us lots to discuss about the plays, the characters, and the Welles's connection to Falstaff himself.
We explore some of the history of opera in our discussion of this filmed version of Franco Zeffirelli's production of Verdi's Falstaff at the Metropolitan Opera. A comic romp with some lovely music and lavish staging, the show provides some interesting insight's into Shakespeare's Merry Wives of Windsor, on which it's based.
Join us this month as we watch Kenneth Branagh's Henry V, an excellent adaptation of this history play which proves startlingly relevant in the aftermath of the Brexit vote. His first movie as director, Branagh delivers a sharp and thrilling adaptation of the play.
In this episode, Mark, Aven, and Jon watch and discuss Gus Van Sant's 1991 indie classic My Own Private Idaho. A visually stunning and inventive movie, it incorporates the story of Henry IV Parts 1 & 2 and Henry V into a tale about love and loss among the gay escorts in the Pacific Northwest.
Join Mark, Aven, and Jon as we watch and discuss the 2015 film version of Macbeth. A visually stunning but very muted film, this movie keeps the time period intact but is presented in a very contemporary manner.
In this episode, Jon, Mark, and Aven watch and discuss Akira Kurosawa's 1985 movie Ran. A fusion of King Lear with Japanese history, Ran is an incredibly intricate, well-made, and bleak movie so rich with detail and reinterpretation that any discussion on it could last well beyond its nearly three-hour running time.
Jon, Aven, and Mark temporarily skip over Ran to watch 2006's She's the Man. This movie takes 10 Things I Hate About You's approach to Twelfth Night, albeit less successfully than 10 Things took on The Taming of the Shrew.
In this episode, Aven and Mark show Jon one of their favorite movies, Kenneth Branagh's 1993 adaptation of Much Ado About Nothing. The movie is by far the most traditional of the three they've watched, and also, the most charming.
In this episode, Aven and Mark watch one of Jon's favorite movies, 1999's 10 Things I Hate About You, for the first time. A modernized retelling of The Taming of the Shrew, the movie goes out of its way to address a lot of the somewhat problematic moments in the original.
In this inaugural episode, Jon, Aven, and Mark discuss their intentions behind the project and why they chose to start with Julie Taymor's 2010 movie The Tempest.